Saturday, March 17, 2012

Bouquets to Art 2012

Floral design by Pico Design,Pico Soriano with Ignacio Lopez,
based on Berkeley No. 3 (1954) by Richard Diebekorn or, as I like to think of it,
still life with law professor (Mark H. Greenberg).
The annual Bouquets to Art exhibition was at the de Young Museum in Golden Gate Park this past week. It was amazing as always with over 150 floral designers participating (see a full list here).

There were a few things that really stood out to me, in terms of design. People seemed to move away from monotone designs and there was an explosion of color in high contrast compositions. Designers embraced painted leaves and flowers, dyed flowers, recycled materials, colored wire, and all kinds of props and bling. I saw several designs that used Gypsophila (Baby's Breath) in innovative ways, a filler flower that is often shunned (seen as the "dozen roses and baby's breath" bouquet that was popular a couple of generations ago). There were several arrangements that used glass tubes extensively as a design element, and some that were done in terrarium styles. Flowers were grouped by texture and color, and there were also many designs composed of several arrangements working together. People made great use of succulents, and found some that looked pretty exotic.

Floral design by Waterlily Pond Floral Design based on Ultramarine Stemmed Form with Orange
from the Persian series, by Dale Chihuly. The blue "shell" is made of painted palm leaves.
I wish I could remember the location of all of the designs in the photos shown in the slideshow embedded below. This is actually only a portion of the many outstanding designs in the exhibition. If you can't see the slideshow below, click here to see it on Flickr.


 

Friday, March 2, 2012

Gorey Exhibit at Columbia

Illustration by Edward Gorey
Oh, sometimes it drives me crazy being geographically challenged. When will we get transporter technology? "Beam me up"... or beam me over to New York, in this case, where there is an exhibition of works by Edward Gorey at the Columbia University Library of Rare Books and Manuscripts. Check out Gorey Preserved here.

Saturday, February 25, 2012

22 Ways to Fight Writer's Block

Since many of the regular readers of this blog write in some way or another, I thought that this infographic from Copyblogger would be useful. I know from personal experience that writer's block can be frustrating and emotionally fraught, and thought that these were good suggestions presented in a fun visual style.

Personally, walks on the beach help. Tea while reading something by an author that inspires me helps, and sometimes I re-read things I have written before (to remind myself that I have done it before and lived through it :-).  What methods do you use to get the words flowing? Leave me a comment.

22 Ways to Create Compelling Content - Infographic
Like this infographic? Get more content marketing tips from Copyblogger.

Sunday, February 19, 2012

Art, Academia and Victorians

Had a busy day this past Friday, visiting with fellow art historian Hannah Sigur. Together we visited the de Young Museum, went to a meeting of the Victorian Society in an amazing period house, and went to a party at the downtown offices of academia.edu

Still Life with Grape Juice & Sandwiches (Xenia) 1994
by David Ligare, in the collection of the FAMSF.
Things were quiet at the de Young, as everyone's focus was on the Cult of Beauty exhibition opening at the Legion of Honor. We enjoyed the opportunity to wander around the nearly empty galleries, happy to spend some uninterrupted quality time with the art. One painting that completely transfixed us was Still Life with Grape Juice & Sandwiches (Xenia) 1994 by David Ligare. The wall text explains that Ligare often volunteered in a soup kitchen, and this is what they served to the people coming in for a meal. Xenia refers to the ancient Greek custom of gracious hospitality to guests, including bread and wine.  The details and the lighting in this painting were gorgeous. It's on display in a second floor gallery surrounded by still lives from the 18th and 19th century, as an example of how still lives and the often subtle messages they contain can still be relevant in contemporary art.

The historic home of
Richard Reutlinger
In keeping with the 19th century theme, next we went to a meeting of the Victorian Society in the absolutely astonishing home of Richard Reutlinger near Grove and Webster. From the Egyptian Revival parlor, to the themed bedrooms upstairs, every room is like an individual exhibit.  As I wandered the house, I noticed all the random period portraits he collected and wondered about them. I wondered if he invented stories for them, all those strangers, inhabiting his walls.

The Victorian Society meeting was in Reutlinger's basement, where he houses his collection of vintage player pianos (at least 6 plus 2 in the parlor).  The meeting itself was about the Society's Summer School programs in London and Newport, Rhode Island, featuring tours and field trips about the architecture and decorative arts of the period.  They include a through discussion of all classes of Victorian society from the home of the Vanderbilts to textile mills. The London tour includes fabulous gardens and the home of William Morris (among other locations). I previously posted about hearing the Director of the Newport program Richard Guy Wilson speak at the Walt Disney Family Museum about the "American Renaissance" and the World's Fairs. I hope, someday, to make it to one of these.

academia.edu logo
Moving on to something completely different, we dropped in on a party in the financial district at the offices of academia.edu, who were celebrating their 1 Millionth member. On the whole, it was a typical dotcom party with wine and foosball. Everyone was really friendly, and we stayed long enough to hear Richard Price, Founder & CEO, talk about his goals for the company. He said that academia.edu's mission was to make it easier for research to be shared, cutting the time it generally takes for traditional publishing (about a year and a half) to more-or-less instant. He hoped that this would open new dialogs in the sciences (see more about this). In conversation, he seemed amazed that two art historians would find the site useful, and wanted to hear all about it. We were also surprised when one of the staff members told us that they have heard of people using academia.edu's stats as a way to justify their research, and that academia plans to expand this feature. It's a great site, I wish them continued success!

Thursday, February 16, 2012

Eisner Show Panorama

Screen Shot from Eisner Video
Gorgeous 360 view of the Eisner retrospective show at Rio Comicon (Rio de Janerio. The Living Spirit of Will Eisner was co-curated by the Brazilian filmmaker Marisa Furtado and CAPE partner Denis Kitchen. After Comicon the show moved to the Centro Cultural São Paulo (November-December 20110. It features 107 works by Will Eisner, plus a unique bronze sculpture of The Spirit, sketchbooks, publications and other materials related to Eisner's life and long career.

Sunday, February 12, 2012

Another post about Whitney Houston

I’m going to take a moment to jump on the nostalgia bandwagon with everybody else writing about Whitney Houston.  She was beautiful and gifted with an amazing voice, which made her very public decline heartbreaking to watch.  Her career spanned decades, and I think her music managed to touch most of us at some point in our lives, whether we were pop music fans or not.

I never met her.  But I used to drive the freeways of LA with her voice booming over my cheap car stereo, trying my best to keep up with her.  Back in the late 1980’s – early 90’s, when I was working for the licensed merchandise giant Winterland Productions, we made T-shirts, posters and programs for her tours. At the time, Winterland was doing most of the major acts: Eric Clapton, Elton John, Michael and Janet Jackson, Madonna, U2, Cher, Springsteen, etc… out of all these, I hate to say, Houston always had terrible sales.  This was always a mystery, because lots of people obviously loved her. She was notoriously uneven and nervous in live performance, and I can only speculate that people were glad to see her, but didn’t find it a performance worth commemorating with a $25 T-shirt. 

When she nailed a performance though, she really knocked it out of the park. Her recorded performances were always spot on and mixed to perfection. I’ve seen many posts that include a link to her amazing rendition of The Star Spangled Banner at the Super Bowl in 1991 (such as this post on The Mary Sue, which also includes a lot of good biographical detail).   The one time I saw her live was at the 1994 Grammy Awards at Radio City in NY.


The producers made the weird choice of having her start the show singing the first verse of I Will Always Love You acapella, and she wavered a bit (plus the audience had no idea the show had actually started, and were still milling around schmoozing), but as the song went on she found herself, and the audience response soared along with her, applauding wildly at the big finish. I will always remember her this way, and I hope her troubled soul finally found some peace.

Tuesday, February 7, 2012

Censorship and Super Bodies in IJOCA

cover of IJoCA
I'm happy to say that my article Censorship and Super Bodies: The Creative Odyssey of Margaret Harrison has been published in hard copy in the International Journal of Comic Art (Vol 13, No 2, Fall 2011 page 369).  The article is primarily focused on Harrison's Captain America series, her censored 1971 gallery show, and other aspects of her long and interesting career, concurrent with the publishing history and character development of the Captain America character. Research on this topic was inspired by Harrison's 2009 exhibition at Intersection for the Arts, and the article includes interviews with Harrison, and Kevin Chen (Art Program Director, Intersection for the Arts, SF). Unfortunately, this article scans badly, so I can't post it in IJOCA's format. Here is the article as a pdf, for anyone that is interested.

The Fall IJOCA (750 pages!) also includes a very interesting symposium on women in Manga and another exploring language and textuality. Publishing the IJOCA is a labor of love for comics scholar John A. Lent and I am always amazed that he manages to pull together this mammoth publication. Thanks to him for cornering me at PCA after my presentation last year and encouraging me to finally publish it.

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